“…extraordinary…” – David Bordwell
“I know where I’m going Wednesday.” – Michael Phillips, Chicago Tribune
“…the best kind of repertory programming” – Ben Sachs, Chicago Reader
“…one of the city’s premier repertory cinema programmers.” – Laura Emerick, Chicago Sun-Times
“NWCFS programmers are peerless repertory cinema magicians…” – Steven Pate, Chicagoist
The Northwest Chicago Film Society is a 501(c)3 tax exempt nonprofit organization founded in January 2011 by Becca Hall, Julian Antos, and Kyle Westphal, three projectionists and programmers of the late Bank of America Cinema and Chicago projectionists and film enthusiasts.
W H A T W E A R E A B O U T
The Northwest Chicago Film Society exists to promote the preservation of film in context. Films capture the past uniquely. They hold the stories told by feature films, but also the stories of the industries that produced them, the places where they were exhibited, and the people who watched them. We believe that all of this history–not just of film, but of 20th century industry, labor, recreation, and culture–is more intelligible when it’s grounded in unsimulated experience: seeing a film in a theater, with an audience, and projected from film stock.
W H O W E A R E
A projectionist, technician, filmmaker, and archivist, Julian currently serves as co-programmer, secretary, chief projectionist, shipping coordinator, and liaison to studios, archives, and film collectors for the Film Society. As a technician, he has installed looping projectors at the Art Institute of Chicago and the Renaissance Society, and works for the University of Chicago Film Studies Center, the Gene Siskel Film Center, and the Music Box as a projectionist. He is a stickler for focus.
Contact Julian: julian AT northwestchicagofilmsociety DOT org
Lori is a Chicago-based artist/filmmaker and is currently a Visiting Assistant Professor at the University of Illinois- Chicago. She periodically works as a cinematographer, editor and performer for other artists, filmmakers and friends and is the Programmer of the Film/Video series at Roots & Culture Gallery. As a programmer and projectionist, she has worked for the Chicago Underground Film Festival and Gene Siskel Film Center. Her moving image work takes on many forms and formats and has been shown internationally at a variety of festivals and spaces.
Contact Lori: lori AT northwestchicagofilmsociety DOT org
Rebecca hails from New Haven, Connecticut. She first comprehended the special materiality of the movies in the summer of 2003, at a silent film series presented in Bucksport, Maine by Northeast Historic Film, where a scholar introducing one of the programs recounted the 1978 unearthing of hundreds of reels of nitrate film from a paved-over swimming pool in Dawson City, Yukon Territory.
“The idea that it was possible to find – in the ground! – not just shards of pottery or old medicine bottles but actual photographic evidence of the lives led and stories told by people born 100 years before me was stunning. The idea that physical film could have a life that long, and that there were still machines that could read this information… It was like finding out that bodily resurrection was possible.”
Since then, Rebecca’s worked as a projectionist for several venerable Chicago institutions, including the Bank of America Cinema, the Gene Siskel Film Center, the University of Chicago Film Studies Center, and Doc Films. Rebecca also managed Open Produce, Hyde Park’s favorite late night grocery destination. She holds a bachelor’s degree in Anthropology from the University of Chicago. Since co-founding the Northwest Chicago Film Society in 2011, Rebecca has acted as our house manager, designer (print and online), press liaison, and treasurer.
Contact Rebecca: becca AT northwestchicagofilmsociety DOT org
Andy is the film archivist at the Indiana University Libraries Moving Image Archive. He also is a PhD candidate at IU working on a dissertation on private film collecting as a non-institutional form of preservation. Since 2010 he has been on the board of the Center for Home Movies which organizes the yearly Home Movie Day.
Contact Andy: andy AT northwestchicagofilmsociety DOT org
Kyle spent his adolescence in Sacramento, California and learned about movies at the Crest and Tower Theatres. (A screening of Apocalypse Now Redux in a latter-day Technicolor dye transfer 35mm print at the Crest taught him about the emotional importance of print quality in ways that a teenager had no hope of articulating.) For four years Kyle served variously as treasurer, projectionist, historian, and ultimately programming chair for Doc Films at the University of Chicago. He has also interned or worked at the Bank of America Cinema, the University of Chicago Film Studies Center, the Little Theatre, Monaco Digital Film Lab, UCLA Film & Television Archive, the Pacific Film Archive, and the George Eastman House. His program notes are featured on Kino’s “Avant-Garde 3″ DVD box set, which recently won a Film Heritage Award from the National Society of Film Critics. He is a 2009 graduate of the L. Jeffrey Selznick School of Film Preservation.
At the Northwest Chicago Film Society, Kyle serves as co-programmer and writes our blog. He’s interested in avant-garde cinema, early talkies, the history of non-theatrical distribution and exhibition, and everything else. He is working on a book or two.
Contact Kyle: kyle AT northwestchicagofilmsociety DOT org
L E A R N M O R E
Check out our current calendar
Read our blog
Watch Becca and Kyle on Chicago Live!
Read an interview with Kyle [SF Silent Film Festival Blog]
Read another interview with Kyle [Pushing Pixels]
Becca Hall, profiled in People Issue 2012 [Chicago Reader]
New Celluloid Heroes [Christian Science Monitor]
Film Society Profile [Chicago Weekly News]
Film Society Profile [Chicago Tribune]
Film Society Profile [Chicago Maroon]