Sirk + Stanwyck = Melodrama Par Excellence
All I Desire – See It This Monday in 35mm!

The Portage Theater – 4050 N. Milwaukee Ave – $5.00 per ticket
For the full schedule of classic film screenings at the Portage, please click here.

OLYMPUS DIGITAL CAMERAMonday, May 27 @ 7:30pm
ALL I DESIRE
Directed by Douglas Sirk • 1953
Barbara Stanwyck returns to Riverdale, Wisconsin, ten years after abandoning her family for a career on the stage. Hoping not to disappoint her daughter Lily (Lori Nelson), who invited her to come see her stage debut in a high school play, Stanwyck convinces her bitter ex-husband (Richard Carlson) and daughter Joyce (Marcia Henderson) that her failed career is a success. Buried love affairs resurface and the whole cast is either emotionally wounded or confused, but the poisonously curious, prying small town is the nastiest character of them all. Bridging a gap between his trilogy of Technicolor Americana musicals and his career-defining melodramas, All I Desire is an honest, forgiving, and sometimes painful examination of small town life at the turn of the century. It’s also melodrama at its most delicious: in a scene only Sirk could have directed, Stanwyck confronts Joyce, who’s never forgiven her for leaving: “We’re a big disappointment to each other, aren’t we? You’ve got a mother with no principles; I’ve got a daughter with no guts.” (JA)
79 min • Universal-International • 35mm from Universal
Preceded by: “Betty Boop’s Prize Show” (Fleischer Studios, 1934) – 16mm – 7 min

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Move over, Stanwyck! There’s a new queen of the screen.

PORTRAIT OF JASON
Wednesday, May 29 @ 7:30pm
PORTRAIT OF JASON
Directed by Shirley Clarke • 1967
Armed with an Éclair 16mm camera and the most basic sound and lighting equipment, Shirley Clarke and her small crew holed up in her Chelsea Hotel apartment for twelve hours with hustler, cabaret mainstay, and seasoned raconteur Jason Holliday. They emerged with some kind of masterpiece. Before the camera, Holliday (né Aaron Payne of Trenton, New Jersey) spins the most rambunctious autobiography imaginable. Mixing treasured routines, dirty jokes, guilt-free confessions, and bullshit revelations, Holliday lies through his teeth to create the performance of a lifetime. Newly restored by Milestone Films and the Academy Film Archive after an exhaustive search for the best surviving materials and a highly publicized Kickstarter campaign, Portrait of Jason remains an essential document of one queer, black man’s adventures in crazy, pre-Stonewall America. (KW)
Chicago Restoration Premiere co-presented with Reeling and Black Cinema House.
105 min • Filmmakers’ Distribution Center • 35mm from Milestone Films
Preceded by TBA

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